All that is needed here is a Raspberry Pi board, a USB microphone, a USB speaker, a few buttons, and a willingness not to shout at family members who don’t respond immediately. Thanks to the creative use of a Telegram voice-chat bot, you can use Raspberry Pi to call family members to dinner or let them know that Daddy or Mommy (hopefully, not both at once) is leaving the house for a mental health day. It started as an effort to keep a quarantined-for-weeks father in touch with his daughter in the same house. While social distancing might have become less of a priority for many as 2021 has drawn to a close, this DIY project helps bring the distant members of your household (including kids or spouses working from home) a little closer. Let’s take a look at some of the best Raspberry Pi projects we’ve seen in 2021. Some of the older pre-Pi 4 models, though, are still available for less than the cost of an entrée at your local diner, and the creativity they have spawned is near limitless. (That will stand, at least, until the Raspberry Pi Foundation (Opens in a new window) reveals the next rumored Pi model (Opens in a new window) in 2022 or 2023.) The Pi planet has seen four main releases of Raspberry Pi boards, along with various mods and variants, over the last decade, with the Raspberry Pi 4 Model B the latest and greatest revision. Launched in 2012, the Raspberry Pi is a silent, energy-efficient, single-board computer that fits inside the palm of your hand-or inside just about anything you might want to make computer-controlled. When it comes to DIY maker technology, few bits of hardware have had the versatility and outright longevity of the Raspberry Pi. How to Set Up Two-Factor Authentication.How to Record the Screen on Your Windows PC or Mac.How to Convert YouTube Videos to MP3 Files.How to Save Money on Your Cell Phone Bill.How to Free Up Space on Your iPhone or iPad.How to Block Robotexts and Spam Messages.Tiny11 for ARM64 is still very rough around the edges, then, although that’s to be expected, and indeed there have been several early fixes deployed already, including one for a bug that caused installation failure. Plugging in via an Ethernet connection allowed for the internet to be accessed, though. There are other issues here aside from bogged-down performance, and that includes dodgy wireless connectivity: Tom’s noted that the Pi’s Wi-Fi failed to work with Tiny11, and while a Bluetooth connection could be successfully made, it didn’t work for sending files over. So, the installation of Windows 11 in this fashion is more of an interesting experiment than a practical application of the stripped-down version of Microsoft’s OS. However, while Tiny11 was usable on the Pi 4, performance wasn’t nearly fast enough to be acceptable for everyday use. It’s not a huge surprise to see Tiny11 run on a Raspberry Pi 4, given that we’ve already witnessed it successfully working with a ludicrously small amount of system RAM. Analysis: A tiny slice of Pi that’s edible, but not tasty
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Live performance is inevitably a pragmatic interpretation of the composer's intentions. Sometimes it's the other way round - the recording distils the musician's live performance development up to that point.ħ. The live performances may well improve on the recorded version. Sometimes a musician is asked to record a work not in their repertoire, then starts to include it in live performances. The more a musician plays a work, the more the performance develops. If the recording chain signature remained the same for all recordings It would became a constant and once we got used to it we would only hear the pianists signature.Ħ. Now, what I am trying to say is: if recordings were all made equal this would not happen at all. But unfortunately, it happens so many times that you have an idea of some one's playing thought their recordings and when you face them playing on a live situation you realize that the impression that you built by listening to their recordings are not near that of what they can produce on a live situation. It is really rewarding when you go to a live performance to find out that that particular pianist meets the expectations raised by his/her recordings. It seems to me that would be the only way to come out with a real understanding of what this artists can do. I wish I could attend every single concert. I wish I could buy the best seat in the house. What I am trying to say is: I wish my local auditorium would schedule the best pianists in the world. So are you saying that if you move a few seats over, or a few rows up or back, you won't be able to tell one pianist from another?No, no. So are you saying that if you move a few seats over, or a few rows up or back, you won't be able to tell one pianist from another? I don't think that would be much of a problem for me, which is why I answered your first question above with "yes." In some halls just about all the seats are good. That doesn't mean that any of the seats are bad seats. The seats in the center of row E sound considerably different that the seats on either end of row E. The seats in the front sound considerably different than the seats in the back. In fact, every seat in the concert hall sounds a little different from the seat next to it. That's like asking if every seat in the hall is going to sound the same. Sounding the same would require that different recording crews used the same equipment, with mics located exactly the same way in 3D space. That is, it's highly unlikely they would sound the same. To put it another way: If all those different recording crews simultaneously made their own recording of one single concert: Would all those recordings sound the same to you?No. To put it another way: If all those different recording crews simultaneously made their own recording of one single concert: Would all those recordings sound the same to you? Imagine we never attended those concerts and we only heard the recordings: Do you think you would have gotten to the same conclusions? Now, imagine every pianist brought his own crew to record his own concert. If you attended all the concerts you would end up having a well formed opining about each one of those pianists and how they compare to one another. So it would be safe to think that any difference on dynamic range (from pianissimo to forte), balance (left vs right hand and middle voices), color (with more or less harmonics), sound presence, etc would be a product of his/her technical ability to exploit the resources of the instrument. The only responsible agent for that difference in sound is the pianist himself. If you close you eyes to listen to the sound produced by these different pianists you will find that even though everything else remains constant every pianist is able to produce a unique sound different from the sound of the other pianists. Furthermore the public that attends the concert is always the same and you always seat at the same spot on the auditorium. Imagine that for every concert the pianists play the same pieces, on the same piano, tuned the exact same way and placed at the same position on the stage. Say you have tickets for a full season of piano concerts at you local auditorium. However the character returned under its Black Steel variant instead of it's original skin. The Savage Kantus returned in Gears 5 Operation 7.A limited time Black Steel Savage Kantus was available with Esports Supporter Pack 5.The Savage Kantus is a playable character in Gears of War 4, available in the RAAM Emergence Gear Pack. We believe great ideas can come from anyone in the studio. We believe that diverse skills, backgrounds, experiences, and differences of perspective are integral to making the best games. The Savage Kantus is a playable character in Gears of War: Ultimate Edition as a pre-order bonus. The Coalition Studio Join Us Join Our Squad We believe great games are made by collaborative teams and not just talented individuals.A Red-Armored "Limited Edition" Savage Kantus is available for people who buy the Fenix Rising DLC for 800 Microsoft Points on the Xbox Marketplace or for owners of the Season Pass who received it free.The original Savage Kantus was a pre-order Multiplayer character exclusive to players who pre-ordered Gears of War 3 from or .uk.Gears of War: Ultimate Edition (Multiplayer Only).Gears of War 3 (First Appearance) (Multiplayer Only).According to records, few sounds can replicate the terror from the screams of a Savage Kantus. Out of all the Locust, the Kantus priests were hit the hardest - they reverted to primal, shamanistic ways and their healing screams descended into a dark, melancholy tone. A great many Locust were separated from the Queen's Remnant of the Horde without the guidance of their Queen, the lost Locust descended into primitive tribes, they themselves changing forever. Sinking the plateau flooded the underworld of Sera, killing millions and forcing survivors to flee to the Seran overworld. The destruction of the Lambent Brumak under Jacinto Plateau secured victory for the Coalition of Ordered Governments, flooding the ancestral home of the brutal Locust Horde. Riding on big 16-inch Fuel wheels with 35x12.5xR16 Maxxis Trepador tires, this refreshed Bronco is an ultimate rendering on a popular platform.History Post-Operation: Hollow Storm Power windows are an added complement to all of this, top up or down. A three-spoke classic V-8 logo steering wheel is mounted to the Ididit tilt column, and Vintage Air and a custom digital instrument cluster with speedometer assisted by GPS signal have been installed. Meanwhile, the interior is upholstered with black leather, and the front bucket seats have "Bronco" embroidered on the backrests and three-point front seatbelts. Upfront are LED headlights, Exploring LED lights and a Warn winch. There is a power steering system with new bushings and 4-wheel disc brakes with a Wilwood master cylinder and proportioning valve.īoth the body and metal were stripped for bodywork and fresh silver paint, with a six-point roll cage, Bestop soft top and custom spare tire carrier installed during the restoration. The stance seen here is courtesy of the James Duff Dual Sport Monster 4-Link Performance Package suspension and lift kit. The Windsor is backed by a 5-speed manual transmission and dual-range transfer case, and both rear and front axle housings were refurbished with 4.10 differential gears. The alternator, starter, water pump, thermostat, clutch kit and flywheel are all either new or remanufactured, with fuel feeding from an oversized stainless-steel gas tank and new lines. Under the hood now is a rebuilt 351 CI Windsor V-8 engine equipped with a Holley Sniper EFI 550-511 kit, an oversized aluminum radiator with dual electric fans, and a serpentine belt system for a single drive belt. This half-cab pickup from 1970 has benefited from a professional, custom, frame-off, nut-and-bolt restoration and driveline enhancements. Of the many Ford trucks offered over the past 100 years, the Bronco was long considered the model built for the true enthusiast, so much so that there was little change to its design beyond optional packages during its first decade.
jquery-ui-1.9.2.custom.css => jQuery UI CSS.images => folder containing the corresponding images for the jQuery UI CSS.uis => folder containing the SketcherCanvas and EditorCanvas3D plugin.ChemDoodleWeb.js => ChemDoodle Web Components library Javascript (packed).ChemDoodleWeb.css => Basic CSS file for the library.Install => folder containing the resources to use ChemDoodle Web Components spectra => folder containing spectral data.molecules => folder containing structural data. The complete license is provided in the COPYING.txt file of this download.Īlso note that the UI icons provided (in source code as data URIs) are iChemLabs Proprietary and may only be used in projects using ChemDoodle Web Components.Ĭontact us for alternate licensing options: =ĬOPYING.txt => GNU GPL Version 3 license The ChemDoodle Web Components library is licensed under version 3 of the GNU GENERAL PUBLIC LICENSE. This library also has complete access to the entire ChemDoodle desktop API through AJAX, allowing for quick access to one of the most robust chemical graphics and informatics packages in existence directly through Javascript. Beyond graphics, this tool provides a framework for user interaction to create dynamic applications through web browsers, desktop platforms and mobile devices such as the iPhone, iPad and Android devices. ChemDoodle Web Components allow the wielder to present publication quality 2D and 3D graphics and animations for chemical structures, reactions and spectra. The ChemDoodle Web Components library is a pure Javascript chemical graphics and cheminformatics library derived from the ChemDoodle(R) application and produced by iChemLabs. Genres: Action, Fantasy Director: updating. The "misfit" who defies all forms of unreasonableness, enters a new battle. Anos, who has prevented the war between demons and humans, is confronted by a new "Child of God" who destroys the Demon King of Tyranny. Second season of Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou. The Misfit of Demon King Academy Season 2 – Maou Gakuin no Futekigousha Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou 2 The Misfit of Demon King Academy 2, Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou 2nd Season, The Misfit of Demon King Academy 2nd Season, Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou II, The Misfit of Demon King Academy II, 魔王学院の不適合者 ~史上最強の魔王の始祖、転生して子孫たちの学校へ通う~ II Currently viewing: 0 The Misfit of Demon King Academy Season 2 – Maou Gakuin no Futekigousha Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou 2 The Misfit of Demon King Academy 2, Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou 2nd Season, The Misfit of Demon King Academy 2nd Season, Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou II, The Misfit of Demon King Academy II, 魔王学院の不適合者 ~史上最強の魔王の始祖、転生して子孫たちの学校へ通う~ II.Rating: 7.50 (15 users) Thanks: Support Watch Movie Genres: Action, Adventure, Fantasy Director: updating. The Hestia Familia still has a long way to go before it can stand toe-to-toe with the other Familias of Orario - but before Bell can set out on his. Intrepid adventurer Bell Cranel has leveled up, but he can’t rest on his dungeoneering laurels just yet. Second part of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV. These comments are based on watching the series in Japanese with English subtitles.Danmachi Season 4 Part 2 – Is It Wrong to Try to Pick Up Girls in a Dungeon? IV Part 2 – Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV: Fuka Shou – Yakusai-hen Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV: Shin Shou - Meikyuu-hen Currently viewing: 0 Overall I'd say that is a must see for fans of the original series but if you've yet to see that series check it out first or this will be rather confusing. These changes feel perfectly in tune with what has happened. All the old characters are back, even if Kurisu is now a computer AI, although their relationships have subtly changed due to various events. The story was gripping from its opening to its conclusion. Given how the story starts it isn't surprising that it has less comedy moments than the early part of the last series. Having really enjoyed the first series I was keen to watch this I was not disappointed. Gradually he is brought back into the field of time travel and it isn't long before tragedies start again and he must work again to save his friends, and the world. They ask him to help with the system's development. Then one day he meets Maho Hiyajo and Alexis Leskinen, acquaintances of Kurisu who have been working in the field of artificial intelligence the system's personality is based on Kurisu's personality and memories. He gives up his 'mad scientist' persona and stops investigating time travel. but in a reality where Okabe failed to save Kurisu. This series is set after the events depicted in Steins Gate.
So u can create a video with, let’s say, a device rotating and the faster u scroll the faster moves through the video (so the device rotates faster) or the oposite. I’ve also seen videos that go forwards or backwards based on scrolling too. What about other effects based in scrolling too? Like movements from left to right, right to left or rotation. What about a zoom effect? Not like the one in the animations now, but a zoom in or a zoom out in the images of a square based on the scrolling. With 2 layers of images in squares you would be able to create some pretty awesome parallel effects. What about a parallel effect? So images in squares move at different speed than the rest of the website. But I couldn’t help but think that these could be cool features. And I already love Sparkle the way it is. I’m not a programmer and I guess building this stuff into the app will take a lot of time and effort. I find animations to really make the websites look better and more professional looking. I see a lot of people asking for new features but me… well, I just want to ask for new animations. Still got questions? Send us an email to and we will get back to you as soon as we can.Hi there! Let’s just start by saying how much I LOVE ‘Sparkle App’. Now your SVG will animate every time you dispatch a click event. To make sure svgatorPlayer is ready when the custom event triggering the animation occurs, one can wrap the previous call in the player's ready method: svgatorElement?.svgatorPlayer?.ready(player => ay()) īefore the JS Player API release, one could achieve the same effect using a roundabout solution, namely exporting the animation to start on the click event, then dispatching the given event on the SVG node, as follows: svgatorElement.dispatchEvent(new Event('click')) You can start the animation triggered by any custom event using the JS Player API, by simply calling the play method: svgatorElement?.svgatorPlayer?.play() Use the id to access the SVG element: const svgatorElement = svgatorDocument.getElementById('e5478wvxh25l1') Please note that the id property will be different in your case, so change it accordingly. To be noticed though that this approach will only work within the same domain, different domains following to be handled in the next release of the API.Ĭopy the ID from the beginning of the exported SVG file that looks like this: Then access its internal document: const svgatorDocument = ntentDocument || Next, let's find the given object from JavaScript: const svgatorObject = document.getElementById('animated-svg') It includes a basic http-server that loads the index.html with an animated SVG and a button that triggers the animation.įirst, let's include the SVG animation within an object tag: Please note that (due to security limitations) the JavaScript commands below will not run on a local index.html file but only through a web server, so we put together a minimalist example called trigger-animation, published on GitHub, which You can clone. This post describes how to start Your animation mapped to a custom event by using SVGator Player JS API, when the animated SVG is included in an object tag. Update from 2022 March:For a complete control over your animation from JS code, see SVGator's Player API: Server-side web application: A Java EE web application running on Apache Tomcat, an ASP.NET MVC application running on Microsoft IIS, a Ruby on Rails application running on WEBrick, a Node.js application, etc.In real terms, a container is something like: A container is something that needs toīe running in order for the overall software system to work. Not Docker! In the C4 model, a container represents an application or a data store. In many cases, a software system is "owned by" a single software development team. This includes the software system you are modelling, and the other software systems upon which your software system depends (or vice versa). actors, roles, personas, etc).Ī software system is the highest level of abstraction and describes something that delivers value to its users, whether they are human or not. PersonĪ person represents one of the human users of your software system (e.g. classes, interfaces, objects, functions, etc). Which in turn are implemented by one or more code elements (e.g. The C4 model considers the static structures of a software system in terms of containers, components and code.Īnd people use the software systems that we build.Ī software system is made up of one or more containers (web applications, mobile apps, desktop applications, databases, file systems, etc),Įach of which contains one or more components, In order to create these maps of your code, we first need a common set of abstractions to create a ubiquitous language that we can use to describe the static structure of a software system. You can learn its search operators by clicking on “Help”. The tool has multiple search operators that you can use. OnlyFinder has a Google-like user interface with a single search bar. 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“It's better to react to what's going on between the notes because it's a living, breathing, spontaneous thing.” “I learned that if I can shut up, stop playing, and listen, the better it is,” he says. On top of that, his studio collaborations with guitarist Billy MacKay (2015’s Land of Plenty and 2017’s SpiderBeetleBee) and drummer Charles Rumback (2016’s Cannots) were largely fleshed out on the spot. Though Walker’s not trained in jazz, he’s gravitated towards improvisational music, often playing improvised jam session residencies around town. “Having these far-out jazz or improv players on my songs was always important to me.” “I write dumpy white-boy folk songs but I always want to include more experimental things in there,” he says. They’ve always specialized in these thrilling exercises that spread out his often-straightforward folk songs. His band is populated by players steeped in Chicago’s jazz, improvisational, and experimental communities who mostly still perform with him to this day. On top of Walker’s early struggle to match up his personality with his music, his older catalog didn’t quite square up to his sprawling, jam-minded live show. I hate the idea of patting myself on the back by putting a song out and yelling, ‘look at my deep art!’” “I hate cynicism and when people take themselves so seriously. He’s also very likely the first artist to ever shout out Tesco Coleslaw in his liner note thank yous. After all, this a guy who over the course of our digression-filled and lively conversation would lean closer to my recorder so it would clearly pick up that his face looked “like an elderly man’s slow-pitch softball mitt” after eating several footlong hot dogs on tour. But he is right that there was a disconnect between the self-serious aura of Ryley Walker, the musician, versus Ryley Walker, the goofball dude. Check out my pants!’ It had this whole thing that wasn't me.”ĭespite Walker’s self-lacerating wit, there were moments of folk-rock inspiration on both of his first LPs. When you hear those two, that was just me thinking I could sing and being like, ‘I'm a fucking troubadour. “That and Primrose Green are terrible records. “I don't even remember what my first record was called,” he claims. By all means I should just be a fat load on a couch with my career choice being the check from a truck company that hit me or something.”Īfter long bouts of playing basement noise shows and putting out fingerpicked jam sessions on small tape labels around the city, Walker’s first record 2014’s largely instrumental All Kinds Of You positioned himself as a woodsy folk bard, complete with press photo outfits that were a few steps from being Ren Faire pastiche. “I just feel like I rolled the dice and became an indie rock dude,” he says. Though he came to the city at 17 for college, he quickly dropped out of both Columbia College Chicago and University of Illinois Chicago to, in his words, “become the scene’s annoying little brother” and make music. Times change, and while Chicago’s neighborhoods have gentrified and familiar storefronts have been replaced with bougie brunch spots and four dollar coffee shops like the one we’re sitting in, Walker has also drastically changed since he moved here from Rockford-a quiet but unmotivating Illinois city 80 miles northwest known for being home to Cheap Trick-11 years ago. Now these people are bettering their lives there?” It's funny to look up and see people running on treadmills exactly where I'd literally rip gravity bongs. “The first fingerpicking show I did was there,” he continues. |
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